Dublin split over the U2 Tower

2.29.08_tn.jpg

Dubliners like a good debate and a recent hot topic of discussion has been the U2 Tower, the development in the city's docks area that has earned its nickname through the involvement of Bono and other members of the Irish rock band.

Paul Shearer, Times Online

Prices have been falling across most of Ireland, but in the capital developers have not lost their appetite for looking skywards. Dublin, the argument runs, is suffering from urban sprawl. Traffic is clogging up and polluting the city and surrounding suburbs. The city council says that it has been losing tax revenue as business park and retail developments have been built outside the city. So the developers' solution is to build tall in the city centre - a decision that has caused considerable local controversy, as similar schemes have done in London.

Last October Geranger, a consortium consisting of Ballymore Properties, Patrick McKillen and August Partners (representing U2 band members and management), were selected by the docklands authority as provisional preferred bidders for the U2 Tower, which will have a recording studio for the band at the top. Foster & Partners, the consortium's architects, have proposed a 130m (430 ft) mixed-use tower on the landmark site at the meeting point of the River Liffey, the River Dodder and the Grand Canal. This scheme replaced a proposal for a 60m tower; some were annoyed that the first scheme was so unceremoniously dropped in favour of the Foster design. On the other side of the river, another 100m-plus structure is planned, the Point Village Watchtower, which will combine with the Foster tower to create a gateway.

Geranger hopes to achieve preferred bidder status in the near future, once it has submitted more detailed plans that should clarify the height of the building and the status of the U2 studio, a suspended egg-shaped pod. A spokeswoman for Ballymore said that the consortium is anticipating starting work on the building within the next 12 months. But there are those who do not see this as a positive development.

Ian Lumley, of An Taisce, the National Trust for Ireland, says: “We were very happy with the original 60m proposal and don't see the need for these megalomaniac schemes. The previous plan was very harmonious and these new proposals threaten to undermine the good relations that have been built up in the area between residents and developers.” The trust's view is that developers overpaid for the land and are trying to recoup the cost by building higher. It queries whether the U2 Tower scheme has had a proper environmental impact assessment.

Dublin City Council recently published a consultation document, Maximising the City's Potential, which addresses the issue: “High buildings have a part to play as ... high-density clusters with significant capacity to promote urban regeneration and increase Dublin's competitive edge.”

An Taisce has plans to table a strongly worded objection. “These proposals threaten to destroy one of the last great low-rise European city centres,” Lumley says.

The trend for high-rise is not confined to the historic centre of Dublin. In June last year the developer Sean Dunne submitted plans for the seven-acre Jurys Berkeley Court site in the smart neighbourhood of Ballsbridge. These included a 37-storey, 132m tower as the centrepiece: its architect, Ulrik Raysse, described it as “cut like a diamond”. The plans, however, cut no ice with planners: after vociferous local opposition, they requested further details from the developer. These were submitted in January; the council is due to reply by next week.

Fact file

The Dublin Docklands Development Authority, established in 1999, has its own special planning zone, and it has not been reluctant to flex its planning muscle to bring internationally renowned architects to the regeneration project of the docks. The Irish architect Kevin Roche is building a €400 million (£301 million) convention centre, Studio Libeskind is building a 2,000-seat theatre, and there will be a five-star hotel designed by the architect Manuel Aires Mateus. Other reputed architects have been building bridges across the dock - the Catalan designer Santiago Calatrava is working on the delightfully named Samuel Beckett Bridge.

The Numbers

Stamp duty in Ireland was reformed last year. Seven rates were replaced with two: a 7 per cent levy on properties from €125,000 (£94,000) to €1million, and a 9 per cent rate above €1million.

The average price for a two-bed flat in Co Dublin is €405,986, down 1.96 per cent in the last quarter of 2007. The average three-bed semi is €512,657, down 1.13 per cent (www.myhome.ie ).

The number of new-build homes in Ireland is set to fall by almost a third, from nearly 90,000 in 2007 to 50,000-60,000 in 2008 (www.lisney.com ).

© 2008 Times Newspapers Ltd.

Happy Anniversary to the War Album

Since today’s the 25th anniversary of the release of U2’s War album, I thought I’d post the diary entry for February 28, 1983. This is from the completed and edited manuscript, so should be exactly as it will appear in print later this year. This is also one of those entries that begins with a live date, thus the opening line about playing in Edinburgh.

——–

February 28
- Playhouse Theatre, Edinburgh, with the Nightcaps.

U2 releases its third studio album, War, produced by Steve Lillywhite. It features Peter Rowen on the cover, reprising his role from the Boy album. But the innocence of the first cover is replaced on War with a photo that shows the child scarred and afraid. The music is louder and more aggressive than the band’s first two albums, and sounds nothing like the smooth pop and synthesizer artists that are taking over the charts. War sees U2 addressing the world around them more directly than ever. In addition to ‘Sunday Bloody Sunday’, songs like ‘Seconds’, ‘New Year’s Day’ and ‘The Refugee’ are grounded in Cold War and conflict, hardly the subject matter of most songs on the radio at the time.

Bono explains the “uncool” War

“It was incredibly uncool to make this record, and it completely freaked out most people – Geldof being one of them. I remember Geldof saying, ‘What are you at? I mean, this is pop music we’re talking about, and you’re taking on these ideas.’ All these people – Sting. They were doing the do-do-do-do/de-da-da-das! So this was a break, this was not cool – for a band to take this position.”

War debuts at number one in the UK, U2’s first chart-topping album. It debuts at number 91 in the US, and eventually climbs as high as number 12.

Reviews for the album are very positive. “U2 may not be great intellectuals,” writes J.D. Considine in his four-star Rolling Stone album review, “and War may sound more profound than it really is. But the songs here stand up against anything on The Clash’s London Calling in terms of sheer impact, and the fact that U2 can sweep the listener up in the same sort of enthusiastic romanticism that fuels the band’s grand gestures is an impressive feat.”

“It is a major leap forward,” says Liam Mackey in Hot Press, “conceptually and technically, quickly persuading this listener to the view that it totally eclipses their previous two albums. I’ll even go a step further and proclaim War, among the major albums of the last few years.”

But Sounds magazine isn’t convinced: “War suggests a tired U2, a U2 that perhaps hasn’t quite sorted out the variances between live and recorded rock music.”

Tracks: ‘Sunday Bloody Sunday’, ‘Seconds’, ‘New Year’s Day’, ‘Like A Song’, ‘Drowning Man’, ‘The Refugee’, ‘Two Hearts Beat As One’, ‘Red Light’, ‘Surrender’, ‘40′

———

That’s all!

East Coast Australia: U23D April 10th

Imax Melbourne, Imax Sydney and Brisbane’s Cineplex Australia all have officially confirmed U23D’s release date is April 10th. The Melbourne tickets go on sale March 12th and Brisbane’s release is set for the Victoria Point Cinemas.

U2 and the Band of Bowsies on the Late Late Show

A joyful get together on the good old Late Late Show with some of the best talent ever to come from Ireland: U2, Sinead O'Connor, Shane McGowan, Kila, The Dubliners and the Band of Bowsies perform The Ballad of Ronnie Drew.

Bono’s Dublin Hotel Plan Pits Rocker Against Preservationists

By Dara Doyle

Feb. 21 (Bloomberg) -- U2's Bono helped persuade George W. Bush and Tony Blair to increase African aid and cancel a portion of Third World debt. Ireland's most famous rock star is finding it harder to charm Dublin preservationists as he seeks to expand the 177-year-old Clarence Hotel.

The singer failed to win over opponents with several bottles of wine and lunch at the Clarence in September, said Michael Smith, former chairman of An Taisce, an independent planning watchdog. The 150 million-euro ($220 million) project would triple the hotel's size and top it with a panoramic glass bar.

"The Clarence demolition is an old-fashioned money-driven, anti-environmental exploit," said Smith, 42, who attended the lunch. "Bono is behaving like just another private-jet-addicted property speculator feeding on Ireland's greedy zeitgeist."

It's the latest controversy to entangle the U2 front man, who has worked with governments and corporations to fight AIDS and reduce poverty. Members of the Irish parliament criticized U2 for moving its music publishing company to the Netherlands to avoid taxes in 2006. The band is also behind a new skyscraper called the U2 Tower, which some neighbors call an eyesore.

Bono, whose name at birth was Paul Hewson, bought the 49- room hotel in 1993 with U2 guitarist David Evans, better known as The Edge. The renovation involves tearing down four adjacent Georgian buildings, gutting the hotel and expanding it to 140 rooms.

`Discredited' Design

While critics liken the sky bar to landing a spaceship atop the Clarence, manager Oliver Sevestre said the project was approved in part because it would make the hotel a landmark in Dublin's Temple Bar district. The plans were developed by British architect Norman Foster, perhaps best known for the gherkin- shaped London tower he designed for Swiss Reinsurance Co.

"It's a great asset to sell Dublin and the country," Sevestre said during an interview in the Clarence's 2,700-euro-a- night penthouse suite.

Located on the River Liffey and enclosed by fragments of Dublin's 12th century city walls, Temple Bar is filled with art galleries and pubs.

Foster's architects say preserving the exteriors and salvaging the original fireplaces, windows and doors will retain the essence of the Clarence. That was rejected by the Dublin City Council's conservation architect, Clare Hogan, who called the plan to keep the exteriors alone a "discredited and meaningless" act of historical preservation.

Clinton's Hotel

Nonetheless, city officials approved Foster's plan in November, saying the hotel facelift would help Dublin's economy and therefore justify tearing down protected buildings.

Though the Clarence has attracted guests such as former U.S. President Bill Clinton, it may not have been the band mates' wisest investment.

While the hotel made an operating profit of 148,800 euros in 2006, investors wrote off 9.04 million euros of loans that year, accounts filed in Dublin show. In 2005, the hotel reported a loss of 575,000 euros. The renovation plan is also backed by Clarence investors Paddy McKillen and Derek Quinlan, two Dublin property developers.

"I would say we are making sense financially," Sevestre said. "It is difficult to make more sense financially because the size of the hotel means we can't maximize the price that we charge each night."

It's that pursuit of profit that has left U2 open to criticism. The band is also backing a 120-meter (394-foot) tower in the Dublin's docklands. The U2 Tower, to be completed in 2011, would be the city's tallest building.

"Taken together, these are two egomaniacal projects," said Ian Lumley, a spokesman for An Taisce.

Art Vs. Commerce

Some back Bono and Foster's vision for the hotel.

Conor Martin, who controls the Purty Loft bar opposite the hotel, withdrew his opposition after he was persuaded the project would benefit the city.

"It is a poor reflection on Dublin and the rest of the country if we turn it down," he said in a letter to city officials.

Bono, who wasn't available for an interview, has said there's no conflict between his activism and investments.

"I long since grew out of the idea that artists good, businessmen bad," Bono said Jan. 24 at the World Economic Forum's annual meeting in Davos, Switzerland. "I got over that one when I was 22."

Smith is taking the Clarence fight to the planning appeals board, which is expected to issue a decision within four months.

Seasoned Campaigner

He is a tenacious opponent. In 1995, angered by what he said was the cozy relationship between politicians and developers, Smith placed a newspaper ad offering a 10,000 Irish-punt ($18,579) reward for information leading to corruption convictions.

Though the reward was never paid, the campaign triggered a 10-year probe of bribery allegations, leading to the current investigation of Prime Minister Bertie Ahern's finances. Ahern denies any wrongdoing.

Even after lunch with his "perfectly gracious" host, Smith is carrying on the fight against a man who once gave Pope John Paul II a pair of wraparound sunglasses.

"If assessed for good old-fashioned rock star glamour, this proposal is a success," Smith said in his written appeal against the project. "Unfortunately for the owners, the Clarence is not a pair of sunglasses."

© 2008 Bloomberg L.P. All rights reserved.

U2 and Irish All Stars on the Late Late Show

ronnie-drew-cover.jpg U2 and the Irish all star ensemble who recorded the charity single 'The Ballad of Ronnie Drew' will perform the song live on RTE's Late Late Show on Friday night (22/2). The single is released as a digital download today and as a CD single on 29 February.

All profits from the release of this single will go to the Irish Cancer Society at the request of Ronnie Drew. The Irish Cancer Society is dedicated to eliminating cancer and improving the lives of those living with cancer.

More at RTE.ie

Video: The Ballad of Ronnie Drew

Official video of 'The Ballad of Ronnie Drew'. Sláinte.

U2 attend U23D premiere in Dublin


The band arriving at Cineworld in Dublin for the premiere of U23D. Shakily captured by 'U2Neat'.

U2 Hits The Studio In Dublin

Jonathan Cohen, Billboard

U2 has hit the studio in Dublin to continue work on its next studio album with longtime collaborators Brian Eno and Daniel Lanois. "We're going to try and break new sonic ground and deliver a masterpiece," Lanois tells Billboard.com. "The sleeves are rolled up. Bono is all charged up with a lyrical angle."

As previously reported, U2, Eno and Lanois have spent time working on new material on three prior occasions in France and Morocco, and Lanois confirms the results are prolific.

"There's so much material," he says, referring to speculation that the sessions could yield two new albums. "When you get Eno and I and those guys in the room, before lunch there's like eight things."

"We've had some exciting beginnings via jam sessions," he continues. "Now we will pick our favorite beginnings and say, 'OK, that's a lovely springboard. Now what are we trying to say?' The springboards are sometimes melodic, sometimes riff-based, but I can assure you they are exciting."

There's no date yet for the project, which will be the follow-up to 2004's How to Dismantle an Atomic Bomb.

In other U2 news, the group has contributed to a new charity single, "The Ballad of Ronnie Drew," proceeds from which will benefit the cancer-stricken Irish artist of the same name. The track will be available in Ireland only as a download beginning Friday (Feb. 22) and week later on CD.

In addition to U2, "The Ballad of Ronnie Drew" features appearances by the Pogues' Shane MacGowan, the Frames' Glen Hansard, Sinead O'Connor, Andrea Corr, Damien Dempsey, Ronan Keating, Chris de Burgh, Gavin Friday and members of the Dubliners.

© 2008 Nielsen Business Media, Inc.

Bono-sponsored art auction raises 42.5 million dollars for AIDS

2.18.08_tn.jpg

NEW YORK (AFP) - An art auction conceived by U2 frontman and campaigner Bono together with British artist Damien Hirst raised 42.5 million dollars in New York late Thursday for UN-backed health programs in Africa.

The auction, which drew Hollywood celebrities, supermodels and rock stars, was described as the largest charity event ever mounted and would help keep thousands of AIDS patients on antiretroviral drugs for years to come.

Artists such as Georg Baselitz, Howard Hodgkin, Jasper Johns, Anish Kapoor and Jeff Koons contributed works for the red-themed Valentine's Day sale, which raised far more than the upper pre-sale estimate of 29 million dollars.

Proceeds from the sale, organized by Bono's charity organization (RED), were to go directly to the United Nations Foundation to support HIV/AIDS relief programs run by The Global Fund to Fight AIDS, Tuberculosis and Malaria.

"I have watched people dying for lack of these pills," Bono said after the sale. "I actually can't quantify how many people that will keep alive.

"It's not just the money we made tonight, it's the excitement around the issue," he added.

Auctioneer Oliver Barker described the evening as "the most extraordinary sale... It was just extraordinary. We are completely thrilled," he said.

Several artworks went for three or four times their upper estimates, with several lots sparking frenzied bidding. Among the buyers was supermodel Christy Turlington, who attended the auction with her husband, actor Ed Burns.

Others in the audience included Tennis legend John McEnroe, supermodel Helena Christensen and Hollywood actor and director Dennis Hopper.

Hirst put seven artworks into the sale, which sold for more than 19 million dollars in total.

Among the auction highlights were his "Where there's a will..." which sold for 7.1 million dollars and his "All You Need Is Love," a red heart-shaped butterfly painting, which fetched 2.4 million dollars.

Jeff Koons's "Balloon Rabbit Wall Relief (RED)," sold for just over two million dollars, while records were set for 17 artists including enigmatic British graffiti artist Banksy.

Thursday's auction brought funds raised by Bono's (RED) organization since it was started last year to more than 100 million dollars.

Copyright © 2008 Agence France Presse. All rights reserved.

Bono and Hirst on Good Morning America


Via U2exit.com
Bono and his pal, the English artist Damien Hirst, lead the The (Red) Auction which raised more than $42 million for programs battling HIV and AIDS.

U2 go Holmes

DJ and producer David Holmes will DJ a set at U2’s after-show party for their U23D film premiere in Dublin, Holmes has told Irish music magazine Hot Press.

The band invited Holmes to DJ at their after-show party after the European launch of U23D at Cineworld in Dublin on February 20. The party will be held at the Jameson Distillery.

Read more at Hot Press
.

Easter Egg in U23D widget



Click and hold the U23D logo in the top left corner. After a few seconds you'll be asked to fill in a password. It's "u23d", so tap that in and you'll be treated to a red carpet interview with Adam Clayton channeling Brian Eno.

Via Clearspring

You Answered the Call – Thanks!

A little less than a month ago, I put out the official call for help about photo submissions, and you responded BIG TIME. (I’d actually been accepting photos all along, but got serious about it after finishing the manuscript.) The deadline is now come and gone and I’m in the process of sharing your photos with Omnibus for possible use in U2, A Diary. Here’s what I’m sharing:

Contributors: 78
Photos: 337
Size: 605 mb

Thank you!!! There are some really amazing photos in the collection, and I’m sure many will make the cut and be included in the book. I don’t expect to get any updates about which photos are used and which aren’t, but if I hear anything, I’ll certainly share it.

I’m not positive, but I think the next step in this process is for Omnibus to hire a designer to put the book together (they may have already hired a company for that), and at some point down the road I think I’ll be able to view some early proofs showing what the book will look like. That’s probably a couple months away. And then when the proofs are all approved, the book goes to print. Sweet!

Although the vast majority of my work is done, I’ll still be posting here on the blog — perhaps with some more book samples, perhaps some more Q&A, and obviously I’ll share any updates on the book’s production.

Thanks again to all who have helped in any way. You guys rock.

On Publishing Dates

I’m noticing that the Amazon UK sales page for U2, A Diary now lists October 8, 2008, as the publication date. That used to show September 8th. And now the Amazon.com sales page also says October 8th, where previously it didn’t have a date listed.

Yet, just four days ago I checked in with Omnibus about the schedule and Chris (my editor) said, “We are still aiming for a September publication.” I’m going with Chris’ target as the accurate one.

It’s funny — in all the years of doing @U2 news, and trying to get copies of books in advance so we could review them, there was almost never any agreement between the publisher and the book stores (Amazon, Barnes & Noble, etc.) about when a book would be published. I don’t know enough about the publishing industry to understand why it’s like that….