U2 signs with Live Nation

From Yahoo News

NEW YORK (Reuters) - Live Nation Inc said on Monday it has reached an agreement for a 12-year global contract to handle the merchandising, digital and branding rights as well as the touring of Irish group U2.

Live Nation has been expanding its business model to develop more far-reaching and deeper relationships with artists beyond just handling their touring. The deal with U2, one of the world’s biggest rock bands, comes just five months after Live Nation announced a comprehensive partnership with pop star Madonna, which included her coveted recording rights.

The company would not reveal financial terms of the U2 deal though analyst David Joyce at Miller Tabak estimated that the deal would “likely be in the $100 million range.” Live Nation said U2 will continue the band’s long-term recording and publishing relationship with Universal Music Group, a unit of French media giant Vivendi. “It’s not a do-or-die situation that we have to be involved in the recordings,” Live Nation Chairman Michael Cohl said in an interview with Reuters. “We’d prefer to, but it’s not always available.” The deal with Madonna, which included the recording rights, was estimated to be worth $120 million over 10 years including a three-album commitment after the artist submits her last album to her current music company, Warner Music Group.

Its partnership with U2 will now include merchandise and licensing rights, sponsorship and strategic alliances, digital rights, fan club/Web sites and other marketing and creative services. Cohl said the new model will help boost the overall company’s profit margins. Analysts have said that touring and ticketing have traditionally been a low-margin business. Several of the company’s executives had managed U2’s tours for more than 20 years.

Live Nation’s attempts to diversify its business and win artists from music labels come as the major recording companies are also trying to reinvent their business and win control of touring, digital and merchandise rights of their artists. Joyce, who rates Live Nation a “buy,” said that as the company tries to bolster relationships with its artists, this latest deal should help its efforts to retain live event market share from existing competitors such as AEG. But he said there is a question whether music labels will fend off Live Nation’s expansion attempts as they attempt to diversify themselves. The music companies are keen to replace lost revenue caused by falling recorded sales. Fans are buying fewer CDs and not purchasing enough digital music to make up for the shortfall.

The major labels have started signing some artists to so-called 360-degree deals which include recording as well as publishing, touring, digital and other rights. Cohl said his company will focus on signing other major artists rather than developing new acts such as a traditional music label or publishing house. “Our intention is to work with artists who are already making it or on their way to making it,” he said. Live Nation said its new strategy will also include its Web site LiveNation.com, which Cohl said was aiming to become the biggest music portal on the Web through a mixture of ticketing, merchandise sales as well as fan clubs and other features. Shares in Live Nation were up 3.5 percent, or 41 cents, to $12.24 in Monday morning trading on the New York Stock Exchange.

What this all means will come to light once U2 hit the road again. One thing for sure, we are likely to get a new U2.com and we will not all be buying concert tickets through the usual outlets like ticketmaster.

East Coast Australia: U23D April 10th

Imax Melbourne, Imax Sydney and Brisbane’s Cineplex Australia all have officially confirmed U23D’s release date is April 10th. The Melbourne tickets go on sale March 12th and Brisbane’s release is set for the Victoria Point Cinemas.

U23D at Standard Cinemas!!!

From ninemsn:

U2 3D puts viewers within the pulsing energy of a live U2 stadium concert. Marrying innovative digital 3D imagery and 5.1 Surround Sound, it creates an immersive theatrical experience unlike any 3D or concert film that has come before. Shot in South America during the `Vertigo` tour, U2 3D continues the band`s use of technology to create exceptional multisensory experiences.

“Bono wanted to go somewhere magical” with the creation of “U2 3D”, says director Catherine Owens; he was seeking an intensity the already ecstatic feelings evoked by U2’s live concerts.

The film, primarily directed by Irish artist Catherine Owens, and Mark Pellington, who co-directed the live shoot and provided invaluable creative support throughout post-production, sets out to capture the band’s relationship with each other and the resonant repsonse of their fans.

The first digital 3D, multi-camera, real-time production, the film was brought to life by 3ality Digital, who shot over 100 hours of footage with the largest collection of 3D camera technology ever used on a single project.

“U2 3D” will be exhibited in Hoyts cinemas equiped with digital 3D projection systems!

Screening at NSW - Broadway and Penrith; VIC - Chadstone and Northland; ACT - Belconnen; WA - Carousel.

Bono in Davos

It has been a busy week for our favourite frontman. After the U23D opening at Sundance in Utah, which is getting rave reviews almost unanimously, Bono dropped in to the Pentagon to talk Africa with US Defense Secretary Robert Gates. Later in the week he appeared in Davos Switzerland with Al Gore at the World Economic Forum. Bono declared that in the aftermath of the good will surrounding Live 8, “The G-8 are not making good on their commitments. This is a scandal”. You can see a video of Bono commenting to journalists about this on You Tube

Bono has also used the World Economic Forum to launch a new initiative for the Red campaign in conjunction with Dell and Microsoft. You can see a good CNBC interview on the new initiative with Bono, Michael Dell and Bill Gates on You Tube. The new range of Red computers could be one of the first Red products available to Australians- most Dell computers can be ordered online.

U2 members see their own concert

From The West Australian

After a legendary career playing to sold-out stadiums, Bono and the Edge spent this weekend doing what their fans have done for years — standing in line to see a U2 concert.

That concert was “U2 3D,” a film of the band’s 2005-06 Vertigo tour, shot at several shows in South America with new 3D technology.

“I was really hoping we weren’t crap after all these years. Luckily we weren’t,” the Edge told the Associated Press before the band donned plastic glasses to watch the movie’s premiere at the Sundance Film Festival on Saturday night.

The band’s frontmen, joined by drummer Larry Mullein and bassets Adam Clayton, joked about the absurdity of seeing their own concert after playing together for over 30 years.

“It’s kind of horrific,” to watch himself on stage in 3D, said Bono. “It’s bad enough on a small screen. Now you get so see the lard arse 40-foot tall.”

The Edge said the cutting-edge 3D technology allowed “the songs to shine through,” though he was surprised to see the chemistry of the band in the details on screen, and how separate his band mates were on stage.

“Are you saying you felt lonely up there?” said Bono, smiling.

“No, I felt lonely for Larry,” the band’s drummer, the Edge replied.

“He likes being on his own,” said Bono. “Didn’t you bring him back a bottle of water?”

Bono said he loved playing to the enthusiastic audiences of Mexico City, Buenos Aires, and Rio de Janeiro.

“Irish people are essentially Latin people who don’t know how to dance,” he said. “When people are screaming and roaring and shouting, the humbling thing is to realize it’s not really for the band or artist on the stage. It’s for their connection with the songs. A song just can own you … . I think that’s why concerts are so powerful. If that song is such a part of your life, and you hear it, it’s too much almost.”

Bono also expressed hope that the film would allow more people to experience their music, especially teenagers and college students who might not be able to afford the pricey tickets to their sold-out shows.

The band is currently working with longtime producers Daniel Lanois and Brian Eno on a new album that will merge Lanois’ respect for traditional music and Eno’s futuristic sound.

“Music like the band had formed on Venus, and somewhere between that is our next album,” Bono said. “Where they join, where something feels always existing but you never heard it before, that seems to be what the two of them bring out in us.”